>"The central argument of Amusing Ourselves is simple: there were two landmark dystopian novels written by brilliant British cultural critics – Brave New World by Aldous Huxley and Nineteen Eighty-Four by George Orwell – and we Americans had mistakenly feared and obsessed over the vision portrayed in the latter book (an information-censoring, movement-restricting, individuality-emaciating state) rather than the former (a technology-sedating, consumption-engorging, instant-gratifying bubble).
... back in 1931, the dystopia my father believed we should have been watching out for. He wrote:
What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture.
Today, the average weekly screen time for an American adult – brace yourself; this is not a typo – is 74 hours (and still going up). We watch when we want, not when anyone tells us, and usually alone, and often while doing several other things. The soundbite has been replaced by virality, meme, hot take, tweet. Can serious national issues really be explored in any coherent, meaningful way in such a fragmented, attention-challenged environment?
Our public discourse has become so trivialized, it’s astounding that we still cling to the word “debates” for what our presidential candidates do onstage when facing each other. Really? Who can be shocked by the rise of a reality TV star, a man given to loud, inflammatory statements, many of which are spectacularly untrue but virtually all of which make for what used to be called “good television”?
Who can be appalled when the coin of the realm in public discourse is not experience, thoughtfulness or diplomacy but the ability to amuse – no matter how maddening or revolting the amusement?
... Did he also predict that the leader we would pick for such an age, when we had become perhaps terminally enamored of our technologies and amusements, would almost certainly possess fascistic tendencies? I believe he called this, too.
For all the ways one can define fascism (and there are many), one essential trait is its allegiance to no idea of right but its own: it is, in short, ideological narcissism. It creates a myth that is irrefutable (much in the way that an image’s “truth” cannot be disproved), in perpetuity, because of its authoritarian, unrestrained nature."